
Previously we looked at
the Ig Nobel Awards...
Today we look at a few Ig
Nobels who have made a splash in the main-line news.
Toward Thee I Lurch, Thou All-Destroying but
Uninterested Grizzly Bear
Like
Ahab before him, Troy Hurtubise obsessively stalks the Great Other, donning 147 pounds of
homemade armor, suffering countless test-pummelings, and sliding into bankruptcy as he
awaits the ultimate showdown
By Stephen Smith
Outside a pool hall in
North Bay, Ontario, three biker types are beating the tar out of what appears to be a tall
red-and-white robot. They use a baseball bat, a splitting ax, possibly a pool cue, though
they're swinging so fiercely it's hard to tell. Thwack! Thwack! Blows to the chest,
the knees, the shoulders. You can see their sneers deepen as they clobber harder.
The robot stands erect,
motionless, its black cyclops eye making it look slightly addled. Finally, a hit to the
sternum sends it crashing backward to the ground slowly, stiffly, like a felled
oak. As it sprawls on the asphalt, one especially determined assailant continues to land
brutal chops to the shins, leaning in until his ax handle splinters.
The robot lies still.
Victorious, the attackers help
their victim to its feet and gently pry off the top half of the robot's shell, revealing a
small, wiry man. He runs his hand through his short-cropped hair. He laughs, a bit
maniacally. His Imperial Storm Trooper legs dance an arthritic little jig. Another
successful mauling in the name of science.
In pursuit of his off-kilter
dream creating a suit of armor that can withstand the attack of a grizzly bear
Troy Hurtubise has endured much: Slugs in the chest from a 12-gauge shotgun at a
range of 20 feet. Falling, on purpose, off the edge of the 150-foot-high Niagara
Escarpment. Assaults from burly friends and relatives all too willing to cuff him
repeatedly with road picks, knives, bows and arrows, two-by-fours. Eighteen times he has
stood in the path of a three-ton pickup doing 30 miles per hour, and 18 times the truck
has knocked him from here to next week. On several occasions, he has stood at attention
while a 350-pound log, winched 30 feet up in a tree, swung down broadside to topple him
like a human bowling pin.
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In each of these encounters,
Hurtubise explains over oil-slicked restaurant coffee, he was safe inside his invention:
the Ursus Mark VI Bearproof Suit, 147 pounds of titanium alloy, rubber, plastic, and chain
mail standing seven feet, two inches tall. "I sustained a headache one time coming
down the mountain," he says proudly. "And a bruise on my right arm. After all
the tests, that's it."
On the surface, it's hard to see
just what necessity mothered Hurtubise's invention. He is a 33-year-old unemployed
scrap-metal dealer living with his wife and four-year-old son in North Bay, Ontario, 2,000
comfortable miles from the nearest grizzly habitat. Yet the self-described
"close-quarter bear researcher" has spent a decade and $110,000 of his own money
assembling and modifying four versions of his suit. "Grizzlies have a lot to offer
science," he says, "but you can't get in close to the bear. You die."
Bear-proof suit scares off grizzly
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first live tests of Troy Hurtubise's grizzly-proof suit have found that its best
protective feature is its bizarre appearance. Hurtubise donned the suit and squared up to
a 145-kilogram (320-pound) female grizzly last week but the bear just found it too weird.
When confronted by Hurtubise in
the Ursus Mark VI suit, the bear smelled a human, but saw an alien. "There's no
grizzly that's going to come near you in that suit," the bear handler told him, after
he spent 10 minutes in a cage with the cowering animal.
Hurtubise has been tinkering with
his bear-proof garment for 15 years and has been the subject of a television documentary
and the recipient of an IgNobel prize. The grizzly test was supposed to be the first live
encounter, and was part of a trio of try-outs in British Columbia, Canada.
Tooth and
claw
In the first test, the suit had
to go it alone, without Hurtubise inside, with a fearsome opponent - a 545-kg (1200-lb)
male Kodiak bear. The suit was placed into the cage of the giant bear, to get him
accustomed to it. Eventually, the bear began to sniff the contraption, fashioned from
steel, titanium, chainmail and rubber, and then proceeded to jump on it.
"You could hear the metal
straining," says Hurtubise. "He started to investigate the thing with claw and
tooth."
Though it ripped off chunks of
rubber, all was well until the bear began to shred the protective chainmail and was called
off by the handler. Hurtubise has learned that you should never skimp on chainmail.
"I should have used shark chainmail," he now laments. "Instead, I sent away
for butcher's chainmail from France."
Without effective chainmail, the
bear handler decided not to allow an attack by the Kodiak. But he did permit Hurtubise to
take on the smaller female grizzly.
Bear breath
Finally, he went back in the ring
with the Kodiak - but no contact was allowed. It took the bear a while to approach but
soon enough it was just six inches away. "I could feel his breath coming through my
visor," says Hurtubise. "I was terrified."
Nonetheless, he plans to face the
beast again - with full contact - in spring 2002, once he has installed the proper
chainmail.
And he has decided that Ursus
Mark VII will have to have a redesign, to look a little more human so it does not scare
off the grizzlies. "I'm just glad to get home in one piece," he says. "I've
got Christmas to look forward to."

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Groups raise ruckus over flamingo
designer's missing signature
FOOTNOTE
By MARK LANE
The estimable John Carter, whose
column graced this section of The News-Journal before his death last year, used to refer
to the stately yard flamingo as "Florida's only native art form." And as a
native Floridian, it bothered him that after locally-produced concrete yard flamingoes
gave way to mass-produced plastic yard flamingoes, most yard birds migrated here from
frozen Massachusetts.
The majority of yard flamingoes in
Florida and elsewhere are made by Union Products of Leominster, Mass. It manufactures more
than 500,000 birds a year and declares itself "the home of the original world famous
pink lawn flamingo."

The original, world-famous, pink
lawn flamingo was designed in 1957 by Don Featherstone.
How can a lawn-ornament
ornithologist recognize an authentic Featherstone bird from vulgar imitations? Look at the
tail feathers. Beneath them, you will find the proud Featherstone signature in raised,
pink, cursive letters.
Except on the new ones. Somehow,
the signature has . . . disappeared!
(Cue the music -- pipe organ plays
a loud minor-seventh chord.)
This caught the alert eyes of
members of two nearby guardians of culture, learning and taste -- The Museum of Bad Art
and the Annals of Improbable Research. They reacted with outrage at this slighting of an
American industrial-design icon like Featherstone.
The Museum of Bad Art, is, well, a
museum dedicated to bad art. It began in 1993 when its founder, Scott Wilson, became
fascinated by an eerily hideous oil painting he found in the trash. The Annals of
Improbable Research, or AIR, is a science humor magazine, a market it has pretty much to
itself.
"When I see a plastic pink
flamingo, I am in the habit of looking for the signature. The flamingoes that arrived
recently had no signature!" said Marc Abrahams, editor of AIR. "So I called
Union Products. They hemmed and hawed, and eventually told me that recently there was a
'mold change.'"

Featherstone had retired last year
from the flamingo maker. Could this be yet another case of a retired worker's contribution
being all too quickly forgotten by management? Once again, it seems the work of an artist
is being neglected by industry.
"Is this important to the
world? No. Is it wrong? Yes, it is wrong," declared Abrahams.
Alarmed at this outrage, AIR and
Museum of Bad Art united to call for mass action. Just before Christmas, they proposed a
national consumer boycott of Union Product pink lawn flamingoes that lack the Featherstone
signature.
And I urge Floridians to take up
this just cause.
Featherstone, more than anyone
else, was the man who told America what a lawn flamingo should look like. His name
deserves to live on, an integral part of his creation's backside.
A sculptor with a classical arts
background, Featherstone fashioned the shapely bird from National Geographic photos.
Nor did he rest on his laurels
after his creation came to define front-lawn Florida. He came up with a white flamingo,
dubbed the "Snowmingo," in 1966 as a wintertime ornament.
In the 1980s, he came up with the
genius idea of making blue flamingoes, so homes in neighborhoods with bans on pink
flamingoes would not have to go flamingoless.
He was, quite truly, a man for all
flamingoes.
"What can the average
citizen do? Spread the word -- that if you buy a new flamingo
always check for the Don Featherstone signature, and if the signature's not there, raise a
ruckus!" urges Abrahams.
Militant words perhaps, but if
there's any place to take a stand, it is here in our own front yards.
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